I presume some of the videos linked above go into this. Does it make sense to get an Apollo Solo or Twin from UAD even though I will only be running one plugin with it? Or is that completely overkill?Īre there any alternatives that work nearly as well as Ocean Way Studios?Īpologies if this has already been addressed! It's not just about which specific reverb tool you use (which is predominantly determined by personal taste), but how specifically you implement it that can spell the difference between a successful feeling of space/dimension/depth or not. And they are anything but cheap.Īnd honestly, Ocean Way would (probably) be the only plugin I would actively use. ![]() I don't mean the price of the plugin, but the fact that I have to get an Apollo to use it. What puts me off at the moment is the price. I recently learned about Ocean Way Studios from UAD and from what I've heard, it's the ultimate plugin for placing/re-placing close mic samples in a large room without them being washed out by additional reverb. ![]() (especially TSS)įor reference what kind of depth I would like to create: ![]() I don't mean reverb, I just mean depth.įor instance I use Tokyo Scoring Strings and the Cinematic Studio Series (CSS, CSB, etc.) quite a lot but since they have been recorded in a relatively small space, all the instruments sound pretty narrow. I always struggle getting dry samples or samples that have been recorded in small studios in a big room.
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